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The Adkins Diet | Phoenix New Times
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Both the diversity of the musicianship and the informality of Casino's setup tend to defy narrow genre classifications, but the flourishes of tasteful indie pop suggested here put the band's sound closer to that of Elephant 6 groups like Beulah and Elf Power than anything found on the Jade Tree label. Enthused as he is about the project, Adkins is reluctant to characterize Go Big Casino as anything more than a pleasant distraction. Instead of playing a set of Jimmy Eat World songs, Adkins seized the opportunity to "go orchestral," as he puts it, recruiting a talented cadre of friends and musicians -- among them current and former members of AM Radio Allstar, Red Shifter, Reuben's Accomplice, Seven Storey Mountain and others -- to bring his solo bedroom productions to fruition. I don't think any song is over three and a half minutes. Groggs of Injury Reserve Has Died. This is not a stand-up-and-shout type of rock 'n' roll show. But then again, last time I didn't think people would like Clarity. Jimmy Eat World plans to start recording by late spring or early summer, with Drive Like Jehu drummer and noted producer Mark Trombino behind the controls. To counter that, Adkins is presenting the shows as "special evenings of entertainment" and has invited several respected indie rock performers to share the bill. That's pretty much the premise behind the band. Adkins says the group will continue to write and extensively demo the new songs before heading into the studio and on a Pacific Rim tour scheduled for the fall. We just want to do our record, give it to a label and say, 'Here it is, put it out. Inside, the space is sparsely decorated. It's a feeling-out process for this relatively large collective of players known as Go Big Casino. He says his first commitment remains leading Jimmy Eat World. Yet there's something about the unspoken dynamic between musicians that adds weight to the material in a live setting. The reassuring suburban quiet of this south Tempe neighborhood is broken by the noise emanating from the garage at the end of the street. The group is looking into a number of alternative and slightly unconventional avenues to release the next record. Get the latest updates in news, food, music and culture, and receive special offers direct to your inbox. Basically, it'll be a nice night of music you don't need earplugs to listen to. Make a financial contribution or sign up for a newsletter, and help us keep telling Phoenix's stories with no paywalls. An unreleased song demo of Go Big Casino material -- Adkins plays all the instruments -- finds most of the arrangements fleshed out, if not completely honed. The gazes of the other five musicians are squarely fixed in his direction, watching for cues, following his changes. Already registered? Contact Bob Mehr at his online address: bob. It's real rock, even more like pop-structured songs. Not to have to take a couple hours out of the afternoon to play stuff for label people and bullshit like that. Facebook Twitter. I thought it would be fun to have that sort of element presented live. While Adkins isn't especially bitter about the parting, the experience has shaped his views on how he wants to proceed with the next phase of the band's career. This group will spend the next two days holed up here rehearsing. Support Our Journalism.{/INSERTKEYS}{/PARAGRAPH} Wendt on the elegiac "Carry You. Kind of like, 'Sorry, it's never gonna happen again,'" jokes Adkins. Until then, the Go Big Casino shows are Adkins' main concern. Support Us. Feted by layers of subtle instrumentation, the songs mutate from simple line drawings into a vast tableau of colors and images. Yet it's not the shambolic strains of "garage rock," but an ornate, almost lush sound. Described as Adkins' "orchestral pop" side project, the group is preparing for a pair of high-profile engagements this week. Adkins' smile quickly fades when he's asked about the direction of the new Jimmy Eat World material. The simple, countryish lilt of "Power" is augmented by the supple brushwork of drummer Shane Kennedy. I want them to actually like the tunes. Though the band has played the occasional local show, Adkins feels the time off was needed to recharge the group's creative batteries. If Adkins' muse within the confines of Jimmy Eat World can sometimes border on the genteel a style that prompted one critic to describe his lyrics as perfect "for making out with a loved one" , then his efforts on such Casino songs as "Hear You Me," "Two Serenades" and "Richmond Again" are buoyed by a deep sense of introspection, one that dives headlong into melancholy. There is no litter of beer bottles or cigarettes, none of the typical trappings associated with musicians, save for the clutter of amplifiers and cables on the floor. Music starts at 9 p. As the guiding force behind Jimmy Eat World, Adkins has had little use for the "emo" tag that the band has long been saddled with. Bob Mehr 4. Remember Me. His versatile playing brings a level of melodic intimacy, offsetting the oblique lyrical ruminations of "My Sundown" and "To an Actress" with consistent aplomb. The time off has proved to be a fruitful period for Adkins creatively. The group has been on a hiatus since returning from a European tour in October. It's late Friday evening. He estimates that he's written 15 to 17 new songs. Get the most out of your experience with a personalized all-access pass to everything local on events, music, restaurants, news and more. I think it will follow the tradition of us alienating our entire listening audience with each new record. Perhaps the most revealing aspect of the rehearsals -- and the project -- is the surprising range of Adkins' voice. Whatever reservations he has about the public reception, Adkins is considerably more confident that the event will not disappoint. Go Big Casino was birthed in December when Adkins was asked by Modified owner and Half Visconte front man Scott Tennent to participate in an acoustic benefit show for the downtown performance venue. A pair of back-to-back shows by a largely unknown commodity is a calculated risk in Phoenix's often-apathetic local music clime. Jeff Bufano's arresting lap slide forms a blissful union with the rich bass of Aaron M. It's an option the group is seriously considering, even though the band could have its pick of any number of attractive indie deals. He expresses his reservations about the approaching two-night stand at Nita's Hideaway in Tempe. Join the New Times community and help support independent local journalism in Phoenix. That window is open, in part, because Jimmy Eat World left Capitol, its major-label home since , in September, just six months after the release of its sophomore full-length, Clarity. I don't want someone to sign us just because this other label wants to sign us. {PARAGRAPH}{INSERTKEYS}Don't have an account yet? But I really don't think anyone's going to like this new one. Adkins sings in a gentle, burnished wail, and his vocals take on added depth, unencumbered by the taut electric guitars that usually serve as his sonic backdrop. At various points, the remaining members of the combo -- cellist Theron Wall, vocalist Paige Stauffer, percussionist Bob Lundberg and organist and Adkins' Jimmy Eat World mate Tom Linton -- will all come in to practice their parts. Though the work is complex, and the preparations essential, a palpable air of communal glee hangs over the proceedings. Phoenix's independent source of local news and culture.